A live online practice room for female classical singers

Stop practising alone.
Start hearing what your voice can become.

Work on your real repertoire with clear, personal guidance in technique, music, interpretation and Italian — inside a warm, women-only community.

Claim the 24h offer See how it works ↓

2 live rooms every month Recordings included €35/month

Capucine Chiaudani, classical singer and voice teacher

withCapucine ChiaudaniAmbassador of Belcanto in the World

Watch the introduction

Let Capucine show you what awaits inside.

In this short video, Capucine introduces the Practice Room — the live work, personal guidance and women-only community created to help your voice move forward.

Real repertoire, worked on live
Clear technical and musical guidance
A supportive room where women grow together

Capucine Chiaudani · Practice Room introduction

Perhaps this sounds familiar

You work hard. But practising alone can only show you so much.

You repeat the same passage. You wonder if the problem is breath, support, language, style — or simply that nobody has helped you connect the pieces. A recording tells you that something is wrong. It rarely tells you why.

Capucine guiding a singer through movement, breath and expression — Guidance that connects body, voice and expression

Too many conflicting answers

You have collected exercises and advice, but no clear path for applying them to your own repertoire.

Fear of being judged

You want feedback, yet the idea of singing before others can make experimentation feel unsafe.

Progress feels invisible

Without an experienced ear, it is difficult to recognise what is changing and what needs attention next.

Real singers.
Real repertoire. Real-time guidance.

Why Belcanto4Her Practice Room?

A practice room — where you stop wondering what to do next and start making real progress.

Belcanto4Her is where knowledge becomes sound. Twice a month, Capucine works with members on the music already sitting on their stands.

You can sing, ask questions or listen closely. Every correction becomes a practical lesson: what changed, why it changed and how to recreate it.

“My passion is to give you the tools to rediscover your true voice — and become the best version of yourself.”

Practise with us

Is this a Practice Room for me?

If singing matters to you, there is a place for you here.

Whether you are beginning, returning after a vocal crisis or already working professionally, the room meets you where your voice is today.

Definitely, yes.

The curious student

You love Classical Singing, Opera or Italian Belcanto and need clear guidance rather than another collection of disconnected tips.

The experienced singer

You want to refresh your technique, review repertoire and reconnect musical choices with a reliable vocal process.

The singer rebuilding trust

You are recovering from a vocal crisis or a difficult period and want a safe, conscious way back to the joy of singing.

The passionate observer

You are not ready to sing in front of others yet, but you want to learn through attentive listening and shared experience.

What benefits does it give me?

Clarity, confidence and a more conscious voice.

You do not need more disconnected information. You need a place to test it, hear it and make it yours.

Know what to practise

Bring the repertoire you are actually working on and receive clear musical, technical, linguistic and interpretive guidance.

Learn by listening

Your progress does not stop when another singer begins. Observe the work, recognise patterns and apply each insight to your own voice.

Sing without judgement

Experiment inside a protected women-only room where the goal is growth, not comparison or performance perfection.

For your technique

Vocal practice and listening
Clear technical instructions
Maximum result with minimum effort
Voice and body awareness

For your repertoire

Musical and interpretive guidance
Italian language and diction
New repertoire or old repertoire
The principles of Italian Belcanto

For your growth

Learn from other singers
Practise singing in front of others
Share doubts and vocal challenges
Rediscover motivation and joy

How it works

A simple rhythm that keeps your learning alive.

Join the community

Enter the private women-only space and get the dates and access details for upcoming Practice Rooms.

Bring your repertoire

Come with an aria, a passage, a question or simply an attentive ear. Active singing is welcome, never forced.

Work live with Capucine

Explore the technical, musical, interpretive and linguistic layers of the piece — one connected process.

Revisit the recording

Return to the lesson in your own practice time and learn from the growing archive of previous rooms.

Structure

Enough time to work. Enough space to listen.

Capucine demonstrating vocal and interpretive technique with a singer — Practical work, in real time

2× live Practice Rooms every month75–90 minutes per sessionUp to 3 singers working actively25 minutes for each active singer

Capucine also reserves time for additional content designed to help you grow as a singer and performer.

Not ready to expose yourself in a Practice Room?

You can enter quietly.

Listening is not “doing nothing”. It trains your ear, your attention and your ability to recognise solutions before you attempt them yourself.

Start as an observer. Learn the language of the room. Sing when trust replaces pressure. There is no audition and no need to prove that you belong.

You are welcome here

Observe before participating
Ask questions without performing
Learn from every voice in the room
Move at a pace that feels honest

Inside the Practice Room

No woman climbs alone.

The Practice Room is built on shared courage, not competition. One singer asks a question, another recognises herself in it, and every step forward becomes knowledge the whole room can use.

Here, women help one another keep moving — through uncertainty, discovery and the moments when a new possibility finally opens.

Two women climbers, one reaching down to help the other up a rock face — 01 · Support
A hand when the next step feels difficult.
Technique, repertoire and confidence grow faster when you do not have to solve every challenge alone.

Two women climbers celebrating together on a mountain summit — 02 · Shared progress
A summit worth celebrating together.
Your progress never takes anything away from another singer. Every breakthrough expands what feels possible for everyone.

A women-only community

Every voice strengthens the room.

When one woman finds clarity, everyone learns. When one singer reaches a summit, the whole community celebrates with her.

Women standing together and holding hands at sunset

Capucine Chiaudani, opera singer and voice teacher

Who am I to tell you all this?

I am Capucine Chiaudani.

Opera singer, voice teacher and a passionate ambassador of the Belcanto tradition.

I was born in Genoa, Italy, and I have been singing since childhood. Music was my way of communicating with the world — a calling, not a choice.

I studied at the Conservatorio Benedetto Marcello in Venice and the Conservatorio G.B. Martini in Bologna, then continued my training with Arrigo Pola — Pavarotti's first teacher — Gabriella Tucci, Maria Luisa Cioni and Paolo Vaglieri. I was a member of the Opernstudio in Zürich and attended masterclasses with Elisabeth Schwarzkopf, Giusy Devinu, Dalton Baldwin and Leone Magiera.

Today I am an accredited Voice Professor for Classical Singing at Kalaidos University in Zürich.

Selected institutions and masterclasses +

HfMDK Frankfurt
Conservatorio Superior del Liceu Barcelona
HKB University of the Arts Bern
Swiss Opera Studio Biel
Operastudio Nederland Amsterdam
LOSW Weimar
Berlin Opera Academy
Opera Academy Henfenfeld
European Academy of Music
Mediterranean Opera Studio & Festival
Camerata Bardi Vocal Academy New York

Capucine

Beyond the occasional masterclass

Online opera study, made practical and personal.

Online learning is most useful when it does not ask you to practise in isolation. It needs a clear sequence, feedback on your own sound and regular opportunities to turn information into singing.

Capucine’s digital work brings together Belcanto4u, the Belcanto4Her Practice Room and focused on-demand resources. The aim is practical: to help singers at different stages work with technique, diction, repertoire and musical intention from wherever they are.

A path, not a one-off call

Fundamentals for Conscious Athletes of the Voice brings more than 13 hours of anatomy and technique into focused modules you can revisit in your own practice.

Feedback on your own voice

Remote vocal screenings make room for recordings, written technical observations and a clear next step.

A room to keep practising

Regular live Practice Rooms connect technique, diction and repertoire with a supportive community.

Watch: air pressure and airflow in singing

Online, supported by real-world standards

Flexible learning, grounded in the work of a real teacher.

Capucine’s digital teaching is shaped by her work as an accredited Professor of Classical Singing at Kalaidos University in Zürich, alongside intensive masterclasses in European opera studios. The goal is not to reproduce a conservatory through a screen, but to give singers a rigorous, flexible way to return to their own practice with greater clarity.

Capucine Chiaudani at work in a vocal coaching session

Capucine Chiaudani coaching a classical singer

Your dream is my dream

A map for a healthy, reliable and repeatable voice.

Capucine coaching a singer on stage beside a pianist

Clear and powerful manoeuvres you can reproduce in your own practice.

Greater awareness of your voice and body — like a true athlete of the voice.

Support to find your true voice and move closer to the singer you want to become.

A way back to confidence and the joy of singing, even after a vocal crisis.

From inside the room

What singers say after stepping inside.

Words and voices from singers who have already experienced Capucine's way of teaching.

Everything that can be said about Маestra Capucine Chiaudani would not be enough. If only all of us had her by our side when we started our opera journey, maybe many of us woud have reached their dreams and goals. As a voice teacher and singer myself I must say that some of the techniques she teaches I had to descover by myself trusting the recordings I used to make for myself for analyzing later what works and what not. I thing that maybe everyone has been struggling with technique going from one teacher to another looking for the right answers. Look no further. Here you will find all the answers to all your questions and even more. If you join the Belcanto room you will learn not only from your own mistakes if you participate but from the others as well. I am more than glad I found you, Maestra!

★★★★★

Ginka UchkovaVoice teacher & singer

Video testimonials